室內(nèi)裝置效果圖
camouflage dragon indoor installation
藝術(shù)家：邱志杰
作品名稱：
暴雨將至
作品類型：
行為表演、繪畫、裝置、錄像
關(guān)于作品：
室內(nèi)裝置：一條中國民間節(jié)慶時(shí)舞動(dòng)的龍，制作為軍事迷彩顏色。一架迷彩戰(zhàn)斗機(jī)，下裝竹竿，可以與龍共舞。
兩幅油畫：各200x330cm，并置懸掛為長660的墻面壁畫，迷彩龍和飛機(jī)懸掛在它前面。
作品描述：
動(dòng)物借迷彩以自我保護(hù)和發(fā)動(dòng)攻擊，迷彩的訣竅是在自己的身上融入環(huán)境要素，如枯葉蝶和變色龍。作為多種動(dòng)物的想象復(fù)合體，龍本身就是一種迷彩動(dòng)物，一種熱愛潛伏的動(dòng)物。
現(xiàn)場表演
Performance images, the Thunderstorm is Slowly Approaching
風(fēng)從虎，云從龍，龍?jiān)谠茖娱g邀游，其狀曰見首不見尾，其時(shí)曰暴雨將至。忽見一噴氣式戰(zhàn)斗機(jī)飛掠而過，龍于是扭頭看去，一時(shí)茫然，若有所思。
展出地點(diǎn)：
戶外表演：
需要一個(gè)可以舞龍、背景有較大墻面的開闊地，
兩張畫的畫面放大噴繪在燈箱布上，尺寸依據(jù)場地墻面大小而定，(如有可能，也可以發(fā)動(dòng)當(dāng)?shù)鼐用窈退囆g(shù)家一起手繪在墻面上作為壁畫長期保留)
舞龍隊(duì)伍需穿著與迷彩龍身上迷彩顏色相同的迷彩服。
舞龍者可以來自本地居民，由藝術(shù)家及其助手加以培訓(xùn)。
關(guān)于越后妻有：
越后妻有是日本新潟縣一個(gè)有著上千年歷史的古鎮(zhèn)。多年前，一位東京的美術(shù)教授在這里策劃舉辦的“大地藝術(shù)展三年展”，使這個(gè)偏遠(yuǎn)的小鎮(zhèn)逐漸受到世人關(guān)注。有著“雪國”之稱的“越后妻有”地區(qū)，雖然這里距離繁華喧鬧的東京不過兩百多公里，但由于群山環(huán)繞、交通不便，這里幾乎被現(xiàn)代人所遺忘，僻靜的山村依然延續(xù)著有1500年歷史的農(nóng)耕生活。
現(xiàn)場表演
Performance images, the Thunderstorm is Slowly Approaching
SCAI畫廊參展作品
小山登美夫畫廊參展作品
暴雨將至 裝置 布面丙烯 200 x 660 cm (diptych)
暴雨將至 裝置 布面丙烯 200 x 660 cm (diptych)
暴雨將至 裝置 布面丙烯 200 x 660 cm (diptych)
LONG MARCH SPACE application for “Fukutake House” Echigo-Tsumari Art Triennial
Artist:
QIU Zhijie
Title:
The Thunderstorm is Slowly Approaching 2007-09
Type of work:
Performance, sculptural installation and two-channel video
About the work:
The Thunderstorm is Slowly Approaching, by the artist Qiu Zhije, takes the traditional Chinese dragon dance as a starting point for investigating the pressures to hide national identity within a ‘host’ culture.
Work description:
This work involves a ten-member dragon dance team who perform outdoors (during the opening event) wearing a costume made from camouflage material. The resulting installation displays the costumes from this performance, including video documentation of the performed act. Displayed as a two-channel installation, the first video shows how the performers are trained while the second records the final performance. The interior of the venue of this work (teaching material room) would be painted in the pattern of the camouflage costume.
Details of venue for installation:
Teaching material room
16.5 square meters
3mx5.5m
Ceiling high: 3m
Components of installation:
X10 (x6 performers; x4 musicians) required to be trained as dragon dance team members (Echigo Tsumari to source)
x10 sets of camouflage costume worn by dragon dance team (artist provides)
x1 dragon costume (artist provides)
x2 LCD screens (Echigo Tsumari to source)
x2 DVD players (Echigo Tsumari to source)
Paint and necessary tools to paint interior walls of room in camouflage costume pattern (Echigo Tsumari to source)
Issues for consideration:
Qiu Zhijie would like to work with the local community in the painting of this room, which he hopes would be a permanent display – is this possible?
Qiu Zhijie would like to work with 10 volunteers for the dragon-dance team – are there people within the local community who would be appropriate and willing?
About the artist:
QIU Zhijie (b. 1969) is an artist, curator, writer and teacher whose experimental projects since the mid-1990s incorporate varied media in a visual challenge of authority and presumed social understanding. He was one of the first to engage new media activity in China, co-curating the influential exhibition ‘Post-Sense Sensibility: Alien Bodies and Delusion’ in Beijing, in 1999. Qiu Zhijie is currently Professor, Total Art Studio, China Academy of Art, Hangzhou, where he established a course focused on cultural research and concept-based practice through artistic creation, curatorial practice and teaching. Major group exhibitions include: ‘The Real Thing: Contemporary Art from China’, Tate Liverpool, UK; 2nd Yokohama Triennale, Japan; 5th Shanghai Biennale, China; and ‘Transience: Chinese Experimental Art at the End of Twentieth Century’, Smart Museum of Art, USA.
【編輯：張瑜】
