《德國制造》縱覽了自19世紀(jì)50年代至今的德國攝影史，其中涵蓋眾多知名攝影大師的作品。參展作品以時間為序，展現(xiàn)了160年間德國攝影史上一系列重要的歷史時刻，其中包括技術(shù)、攝影風(fēng)格和內(nèi)容的重要轉(zhuǎn)變，并介紹了許多極具創(chuàng)新視野的攝影師們。

德國不僅是工業(yè)革新與技術(shù)發(fā)展的重地，長久以來，也出現(xiàn)了眾多知名攝影師；從攝影誕生之日起對于攝影這一媒介的進化和發(fā)展做出了重要的貢獻。德國攝影循著時間線的發(fā)展，起始于19世紀(jì)中期并延續(xù)至今，《德國制造》展涵蓋了諸多攝影大師的作品，其中包括早期的利奧波德·阿倫德茨、海因里希·庫恩、赫爾穆特·牛頓、伯恩和希拉·貝歇夫婦等。當(dāng)然還包括包豪斯時代的諸位明星們。

展覽展出的120幅作品展現(xiàn)了德國160年攝影史的一系列重要瞬間，其中包括從攝影技術(shù)、風(fēng)格以及內(nèi)容方面的變革，以及那些具備革新視野的攝影師們。從時間上來看，德國攝影的主要變革起始于19世紀(jì)中期，而后到20世紀(jì)20和30年代，主要代表包括包豪斯以及先鋒派攝影等革新。第二次世界世界大戰(zhàn)后，攝影師們開啟了主觀主義的全新領(lǐng)域，轉(zhuǎn)變過渡期直至 20世紀(jì)70和80年代；在1989 年柏林墻倒塌之前，東德與西德攝影師視野的反差對比也十分明顯。展覽的最后部分主要展示了當(dāng)代德國的攝影作品。

本次《德國制造》攝影展的作品由德國策展人佩特拉·海勒克挑選。我們誠摯感謝柏林 Kicken畫廊以及佩特拉的幫助；同時也要感謝北京 See+ 畫廊的畫兒女士，感謝卡洛琳·福斯特女士對于本展覽文字方面的貢獻。在此次展覽籌備過程中，SCoP理事會成員王敏詳先生提供了諸多協(xié)助；特別感謝劉燾先生提供攝影師康迪達·赫弗的作品。

最后要特別感謝我們2017年企業(yè)贊助商——意大利品牌Bottega Veneta，是他們使得此次展覽得以順利舉行。

SCoP Launches the New Year with a Not-to-be-Missed Survey of German Photography.

MADE IN GERMANY presents an overview of German photography that includes numerous iconic masterpieces from the 1850s to the present. Germany is a nation closely associated with the historic development of photography， in particular in the field of technological advances.

But Germany was never merely an industrial powerhouse or a place for engineering precision alone. It has been the home of numerous photographers， who each made a great contribution to the evolution of the photographic medium， and from almost its earliest inception. Following this timeline of the mid-19th century through to the present， MADE IN GERMANY includes works by early masters Leopold Ahrendts and， a particular favourite， Heinrich Ku？hn， but also greats like Helmut Newton and the Bechers， Bernd and Hilla. There are， of course， so many more， not least the stars of the Bauhaus era.

The 120 works in the exhibition are grouped together as a series of important moments for photography in Germany through the course of these 160 years. These moments give specific focus to shifts in technique， styles and content， and to the photographers whose innovative visions produced those shifts. Chronologically， the moments begin in the 1850s. Next comes the 1920s and 1930s， which covers the Bauhaus and the innovations of the avant-garde. Following WWII， we see how photographers uncovered new areas of subjectivity. This transitioned into a documentary turn in the 1970s and 1980s， with contrasts between the visions of photographers in West and East Germany in the years before the reunification took place following the fall of the Berlin Wall in 1989. The final section moves forward into the contemporary period.

The works for MADE IN GERMANY were selected for us by Berlin-based curator Petra Helck. We offer sincere gratitude to her and to the gallery Kicken Berlin； to Hua‘er at see+ Gallery， Beijing and to Carolin Fo？rster for her contribution to the exhibition text. Thanks also go to our trustee Arthur Wang Minxiang for his assistance with the exhibition； and to Matthew Liu for his generous loan of Candida Hofer’s work.

We‘d also like to make a special mention for Bottega Veneta， our official corporate sponsor for 2017， who enabled this exhibition to happen.

德國制造：從19世紀(jì)到今天的德國攝影
地點：上海攝影藝術(shù)中心
展期：2017年1月11日－4月2日
時間：周二－周日，10：30-17：30
地址：上海市龍騰大道2555-1
地鐵：11號線云錦路，2號口
票價：￥40／學(xué)生價 ￥30

MADE IN GERMANY：German Photography from the 19th Century to Today
Venue： Shanghai Center of Photography
Duration：2017.1.11 - 4.02
Time： Tue-Sun， 10：30-17：30
Address： 2555-1 Longteng Avenue， Shanghai， China (near Fenggu Road)
Metro： Yunjin Road， Line 11， Exit 2
Ticket： ￥40 / Student Price： ￥30